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DOUGLAS AAGARD


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Mountain Valley Winter

Mountain Valley Winter
Painting (H 36in x W 48in)
Evening Sky

Evening Sky
Painting (H 14in x W 18in)
Farm Town

Farm Town
Painting (H 20in x W 40in)

Desert Expanse

Desert Expanse
Painting (H 28in x W 39in)
Hawberry Bush in Fall

Hawberry Bush in Fall
Painting (H 10in x W 8in)
Summer Bushes

Summer Bushes
Painting (H 11in x W 9in)

Evening in the Orchard

Evening in the Orchard
Painting (H 23in x W 36in)
Portrait of a Maple

Portrait of a Maple
Painting (H 48in x W 36in)
Golden Slope

Golden Slope
Painting (H 18in x W 14in)

Wasatch Afternoon

Wasatch Afternoon
Painting (H 20in x W 24in)
Grazing Milk Cows

Grazing Milk Cows
Painting (H 20in x W 16in)
Entry to the Field

Entry to the Field
Painting (H 40in x W 30in)

Winrows

Winrows
Painting (H 10in x W 8in)
CottonWood Shadow

CottonWood Shadow
Painting (H 50in x W 40in)
Santequin Canyon Maple

Santequin Canyon Maple
Painting (H 36in x W 24in)

Maple Meadow

Maple Meadow
Painting (H 36in x W 24in)
October Snow

October Snow
Painting (H 30in x W 40in)
Morning in the Aspens

Morning in the Aspens
Painting (H 16in x W 20in)

Blue Hills

Blue Hills
Painting (H 20in x W 24in)
In Reverence of Light

In Reverence of Light
Painting (H 48in x W 36in)
In the Long Shade

In the Long Shade
Painting (H 16in x W 20in)

The Quiet After Sundown

The Quiet After Sundown
Painting (H 24in x W 36in)
Fairview Fences

Fairview Fences
Painting (H 18in x W 30in)
Benjamin Backroads

Benjamin Backroads
Painting (H 24in x W 36in)

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Artist Biography

Douglas Aagard is a Utah landscape painter known for his use of color, texture and light. His subject matter is as varied as the Utah landscape itself. He lives in central Utah in a rural community with his wife and three children.

 

Aagard began his career as a watercolor artist. In 2000, after seeing a show of paintings by Gary Ernest Smith he was hooked on the power possible with oil paints. With encouragement and feedback from Smith, he set his hand to paint oils with a knife. “I never get bored painting with oil. There are so many possibilities; so many techniques to try that one could never exhaust the love of learning. I have found that my work has a more dimensional feel or depth when painted with knife, and often times the texture is more fun than the composition.”

 

His paintings have won several state and local awards and are part of many museum, public, private and corporate collections.




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